![]() >difficult to acquire(?) scaruffi 8, his take: The double-disc Heidelberg Concerts (Mutable, 2011) contains Run, a stream of consciousness for pipa the three-lieder set Nachtgesange for soprano, saxophone, trombone, koto and percussion, halfway between expressionist theater and Chinese opera the lied Lotostraume for tenor and harp Omi Hakkei (2000), a subdued and oneiric flux of delicate timbres in the first movement, a nostalgic melody in the second, a dissonant cartoon soundtrack in the third, and then progressively more abstract and detached Lu for percussion, one of her most rarefied pieces, a naked soundscape visited by sporadic tones, but mostly silent the six-movement Phenomena (1998) for piano, the brooding and resigned violin soliloquy of Bittersweet Music 2, Like Water for piano, violin/viola and percussion, a poem of hesitation, uncertainty and unexpected randomness, another slow and absent-minded journey through a desolate, warped and mostly silent soundscape.
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